Kham entered the door of Chapelier Fou’s workshop. Right away, the
craftsman had an idea. Meter and needle in hand, it was with precise scissor strokes that he cut and reduced the double bass melodies into small pieces, which can now be arranged as he wishes. What was this secret that allowed him to make the acoustic instrument the main element of an electronic sound patchwork? We barely knew that he had machines with which he had adjusted the rhythmic lining, and printed circuits which he had used to apply a dancefloor primer..
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