On the devastating “Neckbone”, we found poetry of Anthony chanted in pure Caribbean style, not far from that of one of its models Linton Kwesi Johnson. For the chorus, from this Caribbean accent you could cut with a knife, hides Sly Johnson.
A track made for the dancefloor with a big catchy bassline.
On the B side, we find the percussive “Mano A Mano“, poetry on a percussion avalanche in the purest style of the Last Poets.
